mardi 12 mai 2026

(60) The abracadabrante story of Mooon Child



“In the darkness of night, man introduces light. Is chiaroscuro not the ambiguous illumination of the adventurous undertaking? Drawn by the uncertain certainty of the future and of death, adventure, as we said, is at once closed and open: it is therefore half-open, like that shapeless form, that formless form called human life; for the life of man, closed by death, remains ajar through the indefinite postponement of death. For the one who is inside, immanence signifies seriousness, absence of form, the closure of destiny, the certainty of dying (…)”

Vladimir Jankélévitch, Adventure, Boredom, Seriousness


… where perception mingles with inner duration, where impressions from the outer world become living, continuous matter, and infiltrate the folds of Lucian’s consciousness who, having left the comfort of his office, attempts to reach those who, from afar, through notebooks, words, and images, are signaling to him…
I saw them.
Or rather… no, I no longer see them: they impose themselves upon me. They are there, upon that trembling stain, that boat the waves lift up and cast back as though hesitating between rejection and engulfment. I stand upon this rock, upright, yet something in me has already departed, already slipped toward them, through sea, wind, and terror.
They are not silhouettes: they are a point of resistance. A stubborn verticality. And yet so fragile, so vulnerable, that one would think a single breath from the world might erase them. But they endure. And in that simple, naked, senseless fact there is more depth than in all I have ever known.
What I feel is far from being merely a thought. It is a movement, an inner wave, a duration expanding. The storm around them, that crashing, those monstrous folds of sea, that torn-open sky, all this no longer appears external to me, but rather like the extension of a tension I have carried within myself forever without knowing how to name it. What I see is my own struggle, blurred, ancient, obscure, made visible. He possesses no defined past in my mind, no name, no reason for being there. He arrived. That is all. Not by chance, but by necessity. Through one of those secret detours of destiny that logic cannot grasp. He is there because he could not be elsewhere. Perhaps he is fleeing, perhaps he is searching, but at that point fleeing and searching are one and the same thing.
They are there.
And these beings, I imagine them not as story but as movement. I cannot help wondering whether they know that I am here. Whether they feel behind them, beyond the sea, this consciousness observing them. Yet it does not matter. We are linked not by sight, but by a deeper tension, like two notes of the same chord that everything opposes and yet that vibrate together.
And now, while lightning once more tears through the entrails of the sky, I no longer see in them merely a man within the storm. I see the storm within the man. I see the entire world concentrated within that tiny point still standing, not against but with the violence of the elements. He does not resist: he accompanies, he yields, he endures. As though he had understood something that I only sense without being able to formulate it.
I close my eyes, and everything begins again, though in a troubled flash mingled with doubt and flesh. First I hear the rumbling: it is not a noise but a pulsation, a murmur rising from the entrails of the Earth, as though the ocean itself were breathing in spasms, exhaling a furious breath. Then I see, no longer before me but within me, that black wall of bristling clouds aligned upon the horizon like the vanguard of a faceless army. They advanced not driven by the wind, but like an animated mass, little by little conquering the whole sky.
Then the wind arose, not from a single point but from everywhere: it whirled around me, flooding me with a surf of icy, salted air. I heard its howls, like the lamentations of giants, mingling with the crashing of the waves. These were no longer waves but immense liquid cathedrals: moving walls whose white crests burst into sprays of foam like a savage laughter from the depths. Each breaker, when it rose, seemed suspended for an instant in an apotheosis of power; then, in a muffled explosion, it collapsed again, tearing forth a deeper, heavier rumbling, like the death knell of titans.
I feel once more the salt stinging my lips and eyes; I shudder at the touch of that spray which now exists only in memory, and already my memory falters: was it the lash of water striking my cheek, or the echo of my own broken flesh? Within that hesitation the confusion of times is born: I sway, not upon the skiff, but within the hollow of my own being, tossed between what was and what perhaps never was.
In the pallid light of a flash of lightning, I see again the sky splitting apart, streaked with spectral arms of fire. That lightning was not lightning but a summons; a living ember hurled into the heart of shadow. And the thunder that followed did not roll: it fell, crushing the air, planting within me a certainty without words. My body then adhered to that primordial violence; my flesh became the flesh of the ocean — dense, alive, elusive. Yet all this, I no longer know whether I truly felt it or whether my memory invented it, seeking to give meaning to the unspeakable.
At last I see again the infinite curve of the sea stretching toward the loss of the horizon, and I wonder whether I have ever contemplated anything other than that unstable line between self and world. In the trembling of my skin I still distinguish the impact of the waves against the ramshackle wood, and I doubt: is it a distant echo, or the indelible trace of an original experience? Time, confused, mingles with water, wind, lightning, and everything becomes a single movement, primordial and without memory other than that of the body which alone preserves the burn of that spectacle.
And now, here, upon this rock, I am at once shadow and wave, past instant and present instant, observer and observed. I no longer know whether I am looking at the memory or whether it is the memory that observes me, while the furious ocean remains indefinitely within the in-between of my troubled consciousness.